Choreography and dance: Ilenia Romano

Music: AAVV

Sound editing, Costumes and Lights: Ilenia Romano

Duration: 28 minutes

 

Cliché: rough and relentless label of something collectively considered as banal. But the cliché itself comes from concepts, ethical rules, attitudes, customs shared by people during the centuries in Art and Life. What we generally connect with superficial approaches may have in truth deep roots, so what we call "cliché" starts to be an archetype at the moment in which we become conscious of it. It’s so difficult to be "original" and to emancipate from something big that forefathers and artsts injected so carefully in our DNA. So… What is OneWomanClichéShow?

 

It’s a first try to exorcise stereotypes, a kindly statement and acceptance of being a living cliché, of "what I am and I don’t want to be", of "what I would like but I can’t", of "what I have to, but I don’t want and I could".

 

The primordial image, or archetype is a figure, whether it be a demon, a man or a process that repeats itself throughout history whenever the creative imagination fully manifests. Essentially, then, it is a mythological figure. If I submit these images to a more careful investigation, we find that the results are expressed in formulas derived from countless experiences, typical of our ancestors. They are, so to speak, the psychic residue of innumerable experiences of the same type (Jung’s analytical psychology in his dealings with the art of poetry, London 1928).

 

 

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Coreografia: Simona Miraglia

Interpreti: Simona Miraglia, Alessandro Sollima

Montaggio musicale: Fernando Roldan Ferrer

 

 

The women body holds an ancient archetype, that classify it as the second in the sex hierarchy. Based on this difference, how many ideology, arrogance and violence has been practised? Until

which point can arrive the body ownership? “If you can’t be mine, you’ll be nobody’s woman”. The project is one more frame of a choregraphic study on the new female boundary, it debate by an

ironic and surreal point of view an actual and dramatic subject: the female murders. Inspired by the everlast fable of a social condition lost in the dawn of time, the one of the female genre, the study is a consideration of the social identity that, for atavistic reasons, are not successful nowadays in different parts of the world. An empty space, virgin, timeless, a sort of “limbo”. The dream dimension marks the story of an ancient fable, the past doesn’t stop to excite our present laying down an immage memory, gestures… a princess closed in a tower dreams of her prince charming, a radio links to the present, the dream takes the shape of a nightmare! A tragic and frightful rationality in an dreamlike dimension.

 

 

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Ideazione e Coreografia: Stellario Di Blasi

Musiche originali e improvvisate dal vivo: – Marco Saija

Interpreti: Stellario Di Blasi, Marco Saija

Nuova produzione: 2015

Costumi: Stellario Di Blasi

Luci: Sammy Torrisi

 

 

L’ossessione di un groviglio interno di sentimenti, una metamorfosi di emozioni e sensazioni che rivelano una percezione nei termini di un’umanità incompleta divisa tra la natura istintiva e divina. Forse è un processo interiore in cui è evidente un urgente bisogno di riconoscimento, ma anche la

necessaria trasformazione di parti di sé vissute senza un’accettazione unitaria. Un’anatomia mezza umana e mezza animale in grado di mordere, penetrare e succhiare, una chimera postmoderna fatta di feticci, protesi e carne. È l’immagine, costantemente cangiante, di un essere deportato in una dimensione atemporale ingabbiata fatta di ordine e disordine. È la disperata solitudine dell’uomo in un declino privo di speranza, la condizione dell’esistere come

essere abbandonato sulla terra e relegato dalla sua condizione originale. Sesso, lotta, violenza, solitudine e fede sono gli elementi che definiscono quest’uomo. Con la medesima ossessione di Francis Bacon e Michelangelo Buonarroti per un corpo virile e abitato, simbolo di una fragilità umana scissa tra il finito e il non finito, la pièce viaggia dentro e oltre il limite del non luogo: la nostra condizione moderna.